Was that a documentary on interstate love? Or a video on Kerala Tourism? Or a Malayalam learning class? I also heard some murmurs from back seats. I didn’t understand what I was watching. I have many experiences of watching many bad movies those started with interesting things…After 10-15 minutes, I understood that I’m getting disconnected from the narration. The taste of director is understood for showing creativity even in that minute detail. The titles started rolling…but in a very different fashion where I haven’t seen so far. I was looking the blank white screen in front of me and the censor certificate appeared. I entered the theatre carrying the same opinion and also doubted a bit if I fall in that ‘set of audience those may like this flick’.
#Ye maya chesave songs telugu movie#
At the same time I understood it’s a movie just for a set of audiences but not for everyone. When looked at its Tamil title ‘Vinnathandi Varuvaya’, I understood it means ‘vennela daati vastaava’…sounded something interesting. Goutam Vasudev Menon, a class director who makes movies with his heart has come up with an interesting title ‘Ye Maya Chesaave’. Oscar winning music director and India’s pride AR Rehman scored for a Telugu movie after a very long time. Story, screenplay, direction: Gautham Menon Come on, lads! We aren’t rich to watch a film twice.Ī.R.Cast: Naga Chaitanya, Samantha, Krishnudu, Tanya, Surekha Vani, Sanjay Swarup, Devan, Lakshmi, Puri Jagannadh, Trisha Alex and others We are still subdued by the creators who take the opportunity gamble with our minds. Is this what we are? We burn down screens if the hero dies and tear posters if the heroine doesn’t marry the hero. So, if the tragic one doesn’t work out, he’ll use the happy one. Gautham has even stated that he has two endings – one tragic and the other happy. But is this any good? Will Gautham deliver after a hapless remake ( Pachaikili Muthucharam) and a customized biopic ( Varanam Aayiram)? Love stories usually make their way into the cash registers, but this “inspired by a few events in the director’s life” story will certainly be tricky. The battle at the box office will turn hardcore on February 26. They found the eccentric richness in Aamir quite natural while Surya had to utter a lot of English phrases and undergo a total facelift (which he hasn’t yet come out of) to match the role of Sanjay Ramasamy.
But, when it comes to performances, where do we stand? Where do they stand? For once, I’d agree that we are relating two films by means of story. If she proves it well, she would be the next big thing. But, remember Trisha knows a little about acting while Samantha is beautiful indeed, but debuting. Trisha and Samantha Ruth Prabhu fare well on both grounds. He holds his hands crossed while Silambarasan has them equally distanced. Man! Nag doesn’t even know the boxing stance. But, Nag Chaitanya fails to even evoke a little interest through his stony vocals and rigid expressions. Silambarasan’s voice in the last dialogue in the trailer “Poi kalyanam pannikko Jessie, Nee onnum permission kekka varalala” is spoken with much emotion that he really felt it. However, Vinnaithaandi Varuvaaya excels in terms of performances. The trailers of both films seem impressive (as it is the same content in both languages). Logically, this becomes her debut.įamous critics have argued that a trailer is a deceiving medium to lure us into the cinema halls only to suffer the fate of a bad film. Playing the Telugu version of Trisha is Samantha Ruth Prabhu who has acted in films like Baana Kaathadi and Moscowvin Kaaveri (they haven’t yet released). On the other side of the road, we have the young Nag Chaitanya who after a disappointing debut in Josh is desperate for a hit as he hails from a family of actors (son of Nagarjuna and stepson to Amala). Trisha Krishnan on the other side has proved a lot in means of glamour and a little in terms of acting.
Silambarasan’s career can be explained easily as the 27-year-old hasn’t proved himself so far other than romance a lot of women (as in Manmadhan) or impress with his dance moves ( Silambattam). These two stars have been in the industry since 2001. Vinnaithaandi Varuvaaya has the so-called Kollywood Bad Boy, Silambarasan (who gets his much wanted breakthrough) and Trisha Krishnan (who’s trying to revive her career). But, what is the noticeable difference in both films? Gautham Vasudev Menon’s romance drama which initiated as Vinnaithaandi Varuvaaya (Tamil) and then as Ye Maaya Chesave (Telugu) will face the litmus test as it has been in production for a while and the hype it has raised is inevitable as it has for every other Gautham Vasudev Menon film. Come February 26 and we’ll have two releases in two languages.